The above Video, is the behind the scenes VIBE Magazine cover shoot with Robin Thicke and Janelle Monae

Janelle-Monae-Robin-Thicke-Cover-VibeThis year VIBE Magazine turns 20!  Their September “Juice” issue will include three covers, but this cover in particular  features Janelle Monae and Robin Thicke.

The Cover shoot was photographed in downtown New York, incorporating Robin’s “Blurred Lines” theme.

During the interview the two had some interesting responses, they both spoke on bringing a change to their music and  not wanting to be known for one thing. Interestingly, Thicke  mentioned how things are changing white people are able to cover VIBE and black people can cover Rolling Stone.

 

Thanks to VIBE for the  snippet interview and behind the scene iphotos

VIBE: How do you define your music?

Robin: I can tell she’s probably just like me—that as soon as somebody says, ‘Oh, you’re this.’ She goes, ‘Well, then let me show you what else I can do ’cause I’m not just one thing.’

Janelle: It’s about having fun.

Robin: Well, not just that, but when you think about Stevie Wonder, or even Michael Jackson, you don’t say, ‘They’re R&B singers.’ You say, ‘That’s Stevie Wonder music. That’s Prince music.’

Janelle: They tried everything.

Robin: I hope that after I make my 10, 20 albums people just go, ‘That’s Robin Thicke music. And when they hear Janelle, they know that’s Janelle Monáe music.’ That’s what we both try to accomplish. Even “Blurred Lines,” which is my greatest success…

Janelle: That’s the jam.

Robin: Sounds a lot like my other music. I love all kinds of music, so I can’t possibly just make one kind. I’ll make a song called “Shakin’ It 4 Daddy” with Nicki Minaj, and then a song that sounds like Jimi Hendrix that’s all guitar and live music. Most of the music I’ve made is live band instrumentation, no drum machines.

Janelle: Same with me. We just finished [recording with] the Chicago Symphony Orchestra and the San Francisco Symphony Orchestra, and then came back and rocked Coachella. I get very bored with the concept of marginalizing music and saying because I’m an African-American woman I [have to] stick to this genre. My iPod [has everything] from Judy Garland to James Brown to Prince to the Talking Heads. It just needs to be great and it needs to move me.

Robin: In the history of American music, black radio and white radio were segregated. But once everybody had rights…

Janelle: And could be on the cover of their album…

Robin: And white people are on the cover of VIBE and black people on the cover of Rolling Stone, there are no more rules and that’s how it should be. We shouldn’t be judged by our color or one song that we made.

Janelle: We should be judged by the jam. Is it jammin’?

Robin: Music is exploding right now and always will, because it’s not about the sound. It will always come down to the artist. What are they doing? What are they saying and how are they saying it?

Janelle: And is it believable?

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